The Darkness Deepens

Gilbert_Lear_rejectedLear. If thou wilt weep my fortunes, take my eyes.
I know thee well enough; thy name is Gloucester.
Thou must be patient; we came crying hither.
Thou know’st, the first time that we smell the air,
We wawl and cry. I will preach to thee; mark

Gloucester. Alack, alack the day!

Lear. When we are born, we cry that we are come
To this great stage of fools. –

Shakespeare


It should surprise no one that the black homicide rates in our major cities have skyrocketed since the Ferguson, Missouri black riots, which were really black festivals celebrating the end of all police resistance to black violence. You see, the blacks are a very simple people, not pure and simple as Rousseau and his liberal heirs depicted them, but simple as the beasts of the jungle are simple: When they sense weakness, they attack their prey. The blacks have no idea why white people are weak and defenseless; they only know that they are, so they kill them. It is much easier to play a harp with only one string than to play a harp with many strings. You won’t get much of a sound from just one string, but you’ll keep things simple. The blacks have one string on which they play one song: Kill the whites.

White people, in contrast to the blacks, are very complex. They cannot stand to play on a harp with just one string; they need a multi-stringed harp they can play in union with a whole orchestra of other musical instruments. That orchestra might end up performing a symphony with the same theme as the one-stringed black harp, but it will be more musical than the black harp. Thus the liberal symphony calls black atrocities, the “understandable reaction to centuries of oppression”; white self-defense, “racism”; and black savages, the “pure and noble sons of nature.” Negro worship is the liberals’ symphony. Every time a white woman is raped by a black barbarian and every time a white is tortured and murdered by a black barbarian, we can hear the liberals’ symphony playing in the background, just as we hear background music when we go to the movies. Of course the particular movie that is playing in all theaters throughout the European world is White Genocide. The liberals wrote the script, they are directing it, and of course they are playing the background music for the black barbarians who, following the liberals’ script, are murdering the hated whites.

The fact that the white man sees life as more complex than a one-note harp should not preclude an attack on the unholy union between the liberals and the black barbarians. One can see, if he is an integral man, that life is complex, and still act. Complexity will not paralyze the man with a heart of flesh. However, whites have been mesmerized by the liberals’ symphony – “You must not resist black violence, you must worship the black gods with all your heart, mind, and soul.” But must we do so? Didn’t the white man once listen to a different music? The ancient European lay called us to rise and ride in defense of kith and kin. I don’t see why we should listen to the modernist symphony of negro worship when the lay of the antique Europeans still calls us to a higher destiny.

The written word of God and the church documents do not lead us directly to God; they must first be sifted in the heart of man. Christ came to us through the hearts of His people, the Europeans. So long as one European heart remains faithful to the Divine Presence, the image of God in man has not been entirely eradicated from the face of the earth. With malice aforethought, Satan uses the black barbarians to achieve his ends. When the negroes kill whites they do not simply kill them, they also torture and degrade them. There is a fearful satanic symmetry between the liberals’ constant debunking and degrading of the antique European culture and the blacks’ torture and degrading of their white victims. What happens in the soul of the tortured white victim of black barbarism? Does he die in despair and curse the God he feels has forsaken him? That is certainly what Satan wants: “Despair and die,” he tells us.

The use of negroes to destroy the white race is quite logical, satanically logical. The war will never cease until Satan is defeated in the last great battle between good and evil. But that doesn’t mean we should let Satan have free rein. The defense of our people should certainly take precedence over the defense of ‘democracy’ or ‘our constitution.’ What we love is what we should defend. And if we don’t love our kith and kin, then what kind of subhuman creatures are we? We are liberals.

The liberal symphony has drowned out the lay of the European Minstrel. Wherever a white man goes, he hears the music of negro worship, which is meant to make him feel an out-pouring of love and sympathy for the sacred negro while feeling a hatred for the people of his own race, who oppress the sacred negro. And while this music is playing, the work of slaughter goes on.

It is painfully obvious that the Haitization of the white nations is in progress. It started out slowly, but now the Haitization process has accelerated. In light of that fact, we should at least look to see if any white people have ever successfully resisted Haitization.

Our search brings us to the Reconstruction Era of the South (1865 – 1877). The intent of the radical Republicans was clear: The white Southerners were to be turned over to the people without mercy, the negroes. The white Southerners violently opposed the torture and murder of their people, and white genocide, for a time, was forestalled.

The fighting South was still a bred-in-the-bone culture when the Southern people of the Reconstruction Era fought against the liberals and the black barbarian shock troops, but when they started listening exclusively to the liberal symphony they became like unto the liberals of the North. It’s sad to hear modern Southern apologists defend the South by claiming that, “Those damn Yankees are more prejudiced than we are.” When the South successfully resisted Haitization, they saw themselves as a Christian people defending themselves against black barbarism; they were prejudiced in favor of Christ over the negro. All white Europeans need to recover that prejudice.

The glory of the European people was that they were conscious of their sinfulness before God. And because of their consciousness of their sins and God’s mercy, they loved much. They loved God in and through their people. Now that they are no longer conscious of their real sins but have invented a false sin, racial prejudice, and a false god, the negro, the Europeans do not love much. They do not love their own kith and kin enough to “cry havoc,” and let loose the dogs of war upon the liberals and their colored minions. The burning white child, Jonathan Foster, and all our white children deserve our love. When we forsake them, we forsake Him, and we cut ourselves off from His grace. In the eyes of the world, white people are less than nothing; they are evil vermin that must be exterminated. Our Lord’s words come to mind: “Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.” The burning white child is also our Lord.

The liberals’ great symphony of negro worship seems to be the only song that white people hear. If they could once again listen to the lay of the European Minstrel, they would hear of a people who loved much and were forgiven their sins by a God of infinite love and mercy. Talk of European minstrels seems quite inappropriate in a scientific age. But the liberals have their romances, their Uncle Tom’s Cabin and their To Kill a Mockingbird, which they weave into their symphony of negro worship. The Christ story, as related by the minstrels of old Europe, is still the best response to white genocide.

David Copperfield started his personal history by stating, “Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.” The Europeans’ personal history once read like a beautiful fairy tale of brave heroes and virtuous maids who defied the devil and his minions in the name of Christ, the King of Fairyland. That old narrative has been taken over by somebody else. Now the Europeans dance to the music of Satan. Only those who remember the “love that once was there” will hear the lay of the European minstrel and refuse to worship Satan in and through the negro. Our white nation was meant to be a dwelling place for the living God, not a dwelling place for Satan and his minions. Why shouldn’t we become the heroes of our own story? We do not have to submit to the will of Satan.

The Son of God goes forth to war,
Who follows in His train? +

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